by Samuel L. Leiter In Hamlet in Bed, three sets of cheekbones"often lit from beneath to accentuate their razor-sharp sculpting"compete for attention with Michael Laurence's improbable but often engrossing, sometimes funny, well-performed, but highly implausible metatheatrical piece about a modern-day Hamlet and his overpowering Oedipal urges. Those facial protrusions belong to Mr. Laurence, the lanky […]
SOURCE: The Broadway Blog at 10:38AM on September 19, 2015