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Oresteia review " a vigorous, vivid, but inconsistent take on Aeschylus by Michael Billington

Shakespeare's Globe, LondonRory Mullarkey's adaptation is linguistically rich, but Adele Thomas's production can't seem to settle on a styleAfter Robert Icke's free adaptation of Aeschylus's great trilogy, which has moved from the Almeida into the West End, Rory Mullarkey now offers a concise, three-hour version that makes a good impression on first hearing. The verse rhythms are fluid and flexible, allowing for pass…

SOURCE: The Guardian at 08:26AM on September 4, 2015

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