Edinburgh PlayhouseMartin Schläpfer's choreography in this dramatic and picaresque production is classical yet modern, with a strong visual impactThere's a passage in EM Forster's Howards End, where the novelist categorises his characters according to the way they listen to a Beethoven symphony " ranging from the emotional Helen, who visualises heroes and shipwrecks, to the analytic Tibby, who thinks only of counter…
SOURCE: The Guardian at 12:55PM on August 21, 2015