“The use of on-stage tropes to represent colonial oppression has been written about extensively by many scholars in my field of Theatre Studies. The over-arching theme is that non-Indigenous playwrights appear consumed by the desire to exhume, revise, critique or, perhaps, correct a national narrative in which colonial violence, massacre and dispossession has remained concealed […]
SOURCE: ArtsJournal at 12:01AM on May 26, 2015