The arrival of two big musicals derived from classic 1950s movies located in the City of Light (see Gigi) indicates either a resurgent interest in the early film oeuvre of Leslie Caron or a lack of producer imagination. Or maybe it's just random, unintentionally reflected in the patchwork"if also lavish and classy"quality of An American in Paris. There's much gorgeous ballet to admire in director-choreographer Christ…
SOURCE: Time Out at 09:10AM on April 13, 2015