As their career progresses, playwrights face a real problem: should they please their fans by writing the same play, over and over again, or should they risk trying out new things? Polymath Philip Ridley has built up a corpus of East End gothic plays, in-yer-face shockers and dystopic visions. But he has also written female monologues and imaginative two-handers about love. His latest one breaks more new ground: it i…
SOURCE: The Arts Desk at 07:01PM on March 11, 2015