Almeida, LondonThe glitz of casino culture brilliantly illuminates a play about money lent, borrowed, stolen and investedRupert Goold's revelatory production of this problematic play abruptly disappeared after a season at Stratford in 2011. It is now back, with many of the original cast, and I found it even more impressive. By setting the play in modern Las Vegas, Goold shows capitalism at its kitschiest being invade…
SOURCE: The Guardian at 08:22AM on December 16, 2014