Lyttelton, LondonWhen the curtain rises on Katie Mitchell's revival of Thomas Heywood's 1603 drama of property and marriage, adultery and revenge, it looks as if we might be in for one of those Alan Ayckbourn comedies where the action is split between two separate places, both of which are in constant view of the audience. In Lizzie Clachan and Vicki Mortimer's expensive-looking design, one side of the stage is domin…
SOURCE: The Guardian at 06:47AM on July 20, 2011