By Ira Gamerman. I feel fairly confident that if some sort of census was to be taken from the last decade of American theatermaking, counting up the total number of productions by playwrights who are dead versus playwrights who are alive, The Zombies would outnumber those of us with pulses by a large margin. Which sincerely begs to question: Do artistic directors have a bias against playwrights who are alive? Are the…
SOURCE: HowlRound at 05:10PM on September 11, 2014