Two trajectories determine Benedict Andrews' in-the-round production of "A Streetcar Named Desire": the tragic arc of Gillian Anderson's remarkably vivid Blanche, and that of the near-permanently revolving set. The latter creates a striking metaphor for Blanche's whirling state of mind, but as it slowly wheels round you sense the two are somewhat at war. Although the movement's... Read more »
SOURCE: Variety at 03:07PM on July 29, 2014