I’ve long held that the best writers make the best critics. In addition to aesthetic insight, the job calls for  descriptive powers both sufficient to engage the reader in art he hasn’t yet experienced and entertaining enough to attract those who’ve already seen the show. In the case of Dorothy Parker: Complete Broadway 1918-1923, “the show” […]
SOURCE: Trav S.D. at 08:19AM on June 3, 2014