By Anne G. Morgan. In an age of seemingly constant conversations about how and why institutions are failing American theater and its artists, I see the O'Neill as a refreshing example of what it looks like when theater institutions succeed. Theaters should be seen not as locked, monolithic tomes, but like new plays. They are the embodiment of a dream that has been practically realized, if only in part; a work constan…
SOURCE: HowlRound at 08:50AM on June 1, 2014