Sadler's Wells, LondonAnne Teresa De Keersmaeker doesn't so much interpret Grisey's score through dance as mash it all together into a relationship all of her own fearless imaginationWhen we talk about the musicality of Mark Morris or George Balanchine, we tend to focus on their choreography as a single entity, interpreting or visualising its score. But with Anne Teresa De Keersmaeker's new work, something very diffe…
SOURCE: The Guardian at 10:00AM on May 28, 2014