A current production of Brecht's Threepenny Opera, directed by Matthew Gardiner at Signature Theatre, has caused a stir with lots of contradicting opinions about the merits of performance, concept, and the writing itself. I was most shocked to hear a question bantered about, "Has Brecht's time come and gone?!" I had to see for myself. […] The post Has Brecht’s time come and gone: a conversation with artis…
SOURCE: DC Theatre Scene at 10:19AM on May 19, 2014