Describing "Yellow Face" as a deeply personal manifesto about Asian American identity certainly runs the risk of my sounding as if it's a play for an audience of ethnologists. So let me quickly add that this is a far more entertaining work than that " and thanks to Natsu Onoda Power, a director of exceptional energy and visual stylishness, it is mostly a delight. Read full article >>
SOURCE: Washington Post at 07:09PM on February 5, 2014