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Carthage " review by Michael Billington

Finborough, LondonA boy has died in care in this debut piece that couples authenticity with moral ambivalence in its exploration of guiltThe title implies that we might be in for a study of Dido and Aeneas. In fact, this first play by Chris Thompson uses his 12 years' experience as a social worker to explore questions of guilt after the death in care of a 15-year-old boy. The play feels authentic, not surprisingly. M…

SOURCE: The Guardian at 06:42AM on February 4, 2014

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