Royal Lyceum, EdinburghA predictable but effective production of Eugene O'Neill's posthumous classic summons an awful mesmeric energyIt begins with a burst of summer sunlight spilling across the bleached wood, cotton fabrics and pastel shades of Janet Bird's airy set. The scene is indistinguishable from a million wholesome visions of all-American, middle-class life.Paul Shelley, as the patriarch James Tyrone, stands …
SOURCE: The Guardian at 11:09AM on January 22, 2014