St James Studio, LondonSimon Slater gives a terrifically versatile performance as a 1950s photographer who allows himself to be blindsidedWhen your eyes are bloodshot, you don't always see clearly until it's too late. That's the case for Derek Eveleigh, a policeman turned photographer who tries to blot out the atrocities he has seen during the Blitz by drinking far more than he should. It's the end of the 1950s and p…
SOURCE: The Guardian at 11:45AM on January 14, 2014