Great sets can enhance a production " but can they also disguise weak material?"Too much visual spinning; too many skinny texts," declared Susannah Clapp yesterday, in her review of Georg Kaiser's From Morning to Midnight at the National. She cited Strangers on a Train and Emil and the Detectives as other shows where it's "the design rather than the content that lingers". I could add to that list The Light Princess, …
SOURCE: The Guardian at 12:19PM on December 16, 2013