Queen Elizabeth Hall, LondonThe dancing seems an afterthought in this cacophonous and violent piece on art's recycling of ideas and the legend of MedeaIn the late 1980s, Wim Vandekeybus was celebrated as a pioneer of raw physical dance, his works an assault course of hurtling, combative moves. Twenty-five years on, he has shifted towards a more complex choreographic structure of words, imagery and ironic gesture. And…
SOURCE: The Guardian at 07:41AM on November 13, 2013