Finborough, LondonThis impressive play takes an unsensational approach to the stresses of having to work professionally with abusive imagesHow do human beings cope with being exposed, professionally, to a barrage of violent or abusive images? That is the question behind Luke Owen's disturbing 75-minute piece, winner of this year's Papatango New Writing Prize. The issue was raised in Anthony Neilson's The Censor, howe…
SOURCE: The Guardian at 10:10AM on November 1, 2013