Michael Hollinger, who is enjoying a well-deserved revival here (he co-adapted Folger's Cyrano with Aaron Posner, and his Red Herring had a recent run at Washington Stage Guild), was a violinist before he was a playwright. He thus brings insight and assured realism to Opus, a story about the lives of classical musicians who are, [...]
SOURCE: DC Theatre Scene at 09:13AM on June 13, 2011