Tate Modern, LondonMichael Clark's latest work was created for the vaulting industrial space of Tate Modern's Turbine Hall. It is a venue that can easily swallow up a choreographer (hence the joke of the work's lowercase title, th), but here it elicits Clark's best choreography in years.The evening opens with a massed chorus of 48 dancers. None are professionals. While they may represent Clark's nod to the Tate's his…
SOURCE: The Guardian at 12:23PM on June 9, 2011