Park theatre, LondonHow much should one reveal? That is the critic's eternal dilemma. It's especially acute in a play such as Oliver Cotton's Daytona, which deals with deception and depends on withheld information. But if I say that Cotton's pleasantly intriguing piece airs the kind of issues raised in John Schlesinger's 1976 movie, Marathon Man,and Ariel Dorfman's 1991 play, Death and the Maiden, you get the general…
SOURCE: The Guardian at 11:02AM on July 18, 2013