Tron, GlasgowThere used to be an argument that a play couldn't be called feminist " even one with an all-female cast " if its characters' lives were defined by men. Gary Owen's three-hander from 2001 offers the opposite scenario. It is about three men in a Welsh town whose lives are defined by women.It's a moot point whether this makes it a feminist play or not. The unseen women are variously manipulative, exploitati…
SOURCE: The Guardian at 10:34AM on May 31, 2011