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In segregated, wartime America, making art against the odds by Peter Marks

In the early 1940s, a young man named John Biggers enrolled at Hampton Institute, a black college near Norfolk, at the same time that Viktor Lowenfeld, a painter and art scholar who had fled Nazi persecution in Austria, arrived to establish the school's art department. Read full article >>    

SOURCE: Washington Post at 12:01PM on June 5, 2013

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