When you gaze at the person you've chosen to spend your life with, what do you really see? Or more to the point, as the Kennedy Center's beguiling "The Guardsman" asks: What don't you see? The questions spring to mind as events unfold in this game of sexual gotcha, courtesy of the early 20th-century Hungarian playwright Ferenc Molnár, and with fresh seasoning applied by director Gregory Mosher and translator Richa…
SOURCE: Washington Post at 10:07PM on May 30, 2013