This enjoyable comedy confronts a taboo, that not every woman is in love with her baby, and that work can beat motherhoodThere is a moment towards the end of Hannah Patterson's enjoyable and thought-provoking four-hander that recalls Ibsen's A Doll's House. Not that 21st-century Joanna is anything like 19th-century Nora. Joanna is university-educated, has a dream job publishing neglected female writers, and has just …
SOURCE: The Guardian at 08:35AM on May 30, 2013