Bausch's riff on Bartók's murderous tale is a watershed moment " full of dark, poisonous themes that would increasingly obsess herWhen Pina Bausch died in 2009, no one knew whether her work or her company would survive. So far, however, it seems to be doing much more than just clinging on. After the spectacular month-long season that Tanztheater Wuppertal performed in London last summer, Sadler's Wells has said it…
SOURCE: The Guardian at 11:19AM on February 15, 2013