The Place, LondonCharlotte Vincent's new work about physical and sexual politics revolves around the anxious, quizzical presence of a 12-year-old girl. As Leah Yeger observes the behaviour of the nine adults around her, we can see her sharp-featured, haunting little face pondering what it will feel like when she is grown up, too.This is the unique strength of Motherland. Much of its material addresses obvious issues …
SOURCE: The Guardian at 12:00PM on November 11, 2012