Sadler's Wells, LondonAs a gaunt man slowly raises a flute and exhales into it raggedly, an unearthly noise emerges: a blend of ascending siren whistles and long, rasping sighs like the groans of ghosts. This extraordinary opening to Anne Teresa De Keersmaeker's En Atendant foreshadows the work's concerns: the coming together of sound and body, of material and supernatural; the sense of flesh as a vessel haunted…
SOURCE: The Guardian at 12:51PM on November 6, 2012