Belgrade, CoventryAll great dramatists stake out their own particular territory; the problem with William Inge, who had four Broadway hits in the 1950s of which this was the last, is that he seems to occupy familiar terrain. It is possible to come away from Lisa Forrell's rare revival of this piece admiring Inge's craftmanship without feeling he possessed a uniquely distinctive voice.Inge's s…
SOURCE: The Guardian at 01:18PM on October 24, 2012