Harold Pinter, LondonAlan Ayckbourn's brilliantly intricate comedy, first seen in Scarborough in 1984 and then at the National, sits uneasily in the West End. It demands a company, a sense of community and an understanding of the amateur operatic tradition " none of which it gets in Trevor Nunn's erratically cast and uncharacteristically awkward production.The joy of the play lies in Ayckbourn's skilful interwea…
SOURCE: The Guardian at 12:57PM on September 27, 2012