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On the Concept of the Face, Regarding the Son of God " review by Michael Billington

Barbican, LondonYou have to suppress a smile: a show obsessively concerned with bowel movements being presented as part of the experimental Spill festival. But, for all the shock-horror advance warnings about the show's faecal overload, I found myself mildly bored rather than morally outraged by Romeo Castellucci's hour-long production for the Socìetas Raffaello Sanzio.The situation is pretty fundamental. In a pri…

SOURCE: The Guardian at 07:21AM on April 22, 2011

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