In every strapped corner of Britain these days, when two or three people are gathered together, the talk is of banks, bailouts, and bonuses. Money is short; tales of greed are long. Nicholas Hytner’s splendid, modern-dress production of “Timon of Athens” (at London’s . . . (Subscription required.)
SOURCE: The New Yorker at 12:00AM on July 30, 2012