If you read all the way to the end of my recent cover story on divisive monologuist Mike Daisey's return to Woolly Mammoth Theatre Company — where he "birthed" his much-discussed show The Agony and the Ecstasy of Steve Jobs in 2010—then you know he has already begun to perform a new monologue reflecting on [...]
SOURCE: Washington City Paper at 03:17PM on July 20, 2012