Gate, LondonFive years ago Hassan Abdulrazzak caused quite a stir with a debut play, Baghdad Wedding, about life among London's Iraqi exiles. Now at long last comes a second play, The Prophet, that deals with modern Egypt. While it obviously can't keep pace with the rapidly changing situation in a post-Mubarak world, it nonetheless gives a vivid picture of the way public corruption invades private life.Abdulrazzak's …
SOURCE: The Guardian at 01:04PM on June 22, 2012