Barbican, LondonPina Bausch's "travelogue" works are less portraits of places than composites of haphazard snapshots, each scene filtered through the weird and sometimes wonderful lenses of Bausch's international, multigenerational performers. The delicate but dense opening solo of Ten Chi, for example " Bausch's 2004 "Japan" piece " sees Ditta Miranda Jasjfi's typically Bauschian bearing (spiralling torso, wrin…
SOURCE: The Guardian at 02:18PM on June 18, 2012