A powerful trend in contemporary theatre is the family play. But the families usually depicted tend to be of the standard two-point-five variety, while other more complex forms " families as they actually are " tend to be ignored. So initially the good thing about Vivienne Franzmann's new play is that it focuses on a family where the child is adopted. More controversially, it is about a white man who adopts a black g…
SOURCE: The Arts Desk at 03:01AM on June 12, 2012