Royal Court, LondonVivienne Franzmann scored a deserved success with Mogadishu, which examined self-destructive white liberal guilt in a school setting. Her new play extends the theme to attack not just the guilt but also the mendacity of a white journalistic witness to a war-zone atrocity. But while it has a certain dramatic effectiveness, it stacks the cards too heavily against its protagonist.Franzmann's…
SOURCE: The Guardian at 01:12PM on June 11, 2012