In red satin jacket, polished fingernails and preening self-regard, Tom Carman flutters convincingly onto the Artisphere stage as Crow, a renegade singer come to dethrone an aging rock-and-roll legend in "The Tooth of Crime," playwright Sam Shepard's bleak fable of the primal American struggle for the mantle of alpha star. Read full article >>
SOURCE: Washington Post at 11:56PM on May 23, 2012