Sadler's Wells, LondonIn the late 1980s, most young choreographers were addressing the rigours of minimalism or the politics of dance theatre. Matthew Bourne, however, was already a maverick showman, mining his own highly coloured seam of nostalgia and pastiche. And what a seam it proved to be. In this wonderfully entertaining trio of revivals, it's striking how much of Bourne's early material formed the ba…
SOURCE: The Guardian at 01:09PM on May 23, 2012