Lyric Hammersmith, LondonI am normally wary of futuristic fables, since they brook no disagreement: we can't challenge the writer's experience with our own. But Edward Bond's piece, set in 2077 like its two companion pieces in the Lyric Studio's cycle of The Chair Plays, is compulsively watchable " until, that is, the last 10 minutes, when Bond illustrates his arguments with needless explicitness.The image of th…
SOURCE: The Guardian at 08:45AM on May 15, 2012