Royal Court, LondonMike Bartlett, as we know from plays such as 13 and Cock, can write big or small. In this piece, originally produced by Paines Plough and the Drum Plymouth in 2010, he combines the two modes. By following the fortunes of a particular couple from the late 1960s to the present, he offers an indictment of a generation. While I find his accusations a bit sweeping, his play is also rivetingly …
SOURCE: The Guardian at 01:00PM on May 4, 2012