Citizens, GlasgowThere's a sense of impermanence about Dominic Hill's austere King Lear. The tables and chairs are forever being overturned and whisked away, as if in response to Lear's unstable plan to split his kingdom three ways. Tom Piper's stark set of planks and windows gives way at the edges, revealing a netherworld populated by a brooding underclass and the hulks of old pianos that echo ominously.Emerging fro…
SOURCE: The Guardian at 10:34AM on April 27, 2012