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Have I None/The Under Room " review by Lyn Gardner

Lyric Studio, LondonEdward Bond has seen the future and it isn't working. Perhaps it's no surprise that one of our greatest living playwrights is back in fashion. Bond, whose masterpiece Saved was recently revived in Hammersmith, has an almost oracle-like ability to tell us what we don't want to hear.The villians are of the governmental kind in these two dramas, part of a trilogy known as The Chair Plays. In Have I N…

SOURCE: The Guardian at 12:58PM on April 24, 2012

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