The Resurrectionist King, now being given active voice by Active Cultures, tells a pretty good story. Regrettably, it tells that story in the second Act, after the passage of forty-five tedious, predictable, unfunny minutes. The second Act is a moral boxing match on the subject of grave-robbing, a ghoulish practice essential to the teaching of [...]
SOURCE: DC Theatre Scene at 07:42AM on April 5, 2011