In March, the Washington Post's chief theater critic, Peter Marks, lamented that the 2012-2013 seasons of several large D.C.-area companies—among them Signature Theatre, the Kennedy Center, and Arena Stage—were too reliant on such chestnuts as My Fair Lady and Dreamgirls. "The clear bet theaters are making is that these shows will be far easier to market, [...]
SOURCE: Washington City Paper at 02:06PM on April 19, 2012