Selected cinemasSuddenly 3D is everywhere, a shiny new toy for filming dance. In Pina, Wim Wenders's imminent documentary about the work of Pina Bausch, the technology justifies itself in spades. Not only does it ramp up the physical intensity of the movement, it works an alchemical effect on our emotional response.By contrast, the new 3D version of the Mariinsky's Giselle is so disconcertingly wonky it makes your ey…
SOURCE: The Guardian at 05:45PM on April 1, 2011