COMIC EPHEMERA In Tony Kushner’s adaptation of Pierre Corneille’s 1636 comedy L’Illusion Comique, the modern playwright has abandoned the contextual trappings that make the original at all interesting, in order to write for a contemporary audience. The result, in Casey Stangl’s fleet staging, very slightly disguises shallow earnestness as light amusement. It’s fun; it’s sup…
SOURCE: Stage and Cinema at 03:54AM on March 24, 2012